Also available has been a video/dvd, the “Complete Guide to Saxophone Sound Production” (Caris Music Services) which is in a sense the visualization of the. Tue, 11 Dec GMT developing a personal saxophone sound pdf -. Developing A Personal. Saxophone Sound, by. David Liebman 5 This book. Dave Liebman- Developing a Personal Saxophone Sound. I just ordered this book off of eBay last week, it should be here sometime in the next.
|Published (Last):||8 April 2015|
|PDF File Size:||12.67 Mb|
|ePub File Size:||20.8 Mb|
|Price:||Free* [*Free Regsitration Required]|
I’ll check out the DVD after recovering from the last few weeks of spending. This was especially true for understanding the significance of the overtone exercises which are central to these concepts since they reinforce the principles through concrete examples.
Much of the information reflects my experiences from studying with the master, Mr. You know how it is Dave Liebman Are you kidding??!! Just ordered the book from Dorn’s site. Yeah, I need to use this in a practice room here at college.
This book is the result of several decades of experience as a saxophonist and teacher. Results 1 to 20 of Comparison is the thief of joy. If you take what Lieb says seriously and experiment with his suggestions, you’ll love what you get out of it in the develpoing run. Sponsored Links Remove Advertisements.
This is my favorite saxophone-tone-oriented book in existence. It’s like having a long and comprehensive lesson with Liebman; provides concrete, sonic illustrations of stuff in the book; and is worth every penny of the 60 bucks it costs. Obviously visual demonstrations of principles and exercises are helpful. Page 1 of 4 1 2 3 4 Last Jump to page: This book a new edition with minor additions is meant to put any saxophonist, regardless develpoing style on a firm footing without being at a disadvantage in the pursuit of a good soud and in the final result, enjoyment of the instrument.
The DVD is indeed different, and as was noted here is dsvid intended as a playalong. Regarding the video, I wasn’t davkd that Dave’s presentation left something to be desired.
Dave Liebman can’t play his way out of a paper bag! With Joe came principles and concepts, all eventually leading to the same conclusion which was to be physically and mentally relaxed on the instrument. A DVD is not really an option.
Developing a Personal Saxophone Sound (introduction to book)
Of course after the main principles are understood, each musician should and will naturally customize the concepts to fit their own personality, needs and technique. This is a good representaion of Joe Allard’s concepts of tone production- Joe Allard doesn’t get much credit, and its hard to listen to Liebman’s somewhat flawed demonstrations of some of the concepts on the video tape that accompanies the book, but since Allard is now daavid on, if you can’t study with one of Joe Allard’s students like Victor Morosco this is the next best thing.
It looks like I made the right decision. Chapter seven covers Lieb’s thoughts on reeds and mouthpieces and has some helpful advice on these matters. A good college or university library has this book.
He’s dead on in these books and he’s one of the major cats.
Developing a personal saxophone sound By David Liebman. PDF : Saxophonics
Bookmarks Bookmarks Digg del. As is the case with any great teacher, they should inspire you to perxonal further research and hopefully develop original concepts of your own. I found it pretty clear. I just ordered this book off of eBay last week, it should be here sometime in the next couple of days. What have people’s experiences with this book been? Originally Posted by BeerBatter.
In truth, the saxophone is a relatively easy instrument to produce a sound. I think its a great introduction to the Joe Allard concept. I like the presentation and exercises so much, I’ve used them continually for the last 12 years or so. This is section in my humble opinion contains the secret of a good sax sound.
But it is in this book that I have clearly outlined the physical and acoustical reasons why certain principles of tone production work.
If the mind can understand why and how something works there is a higher likelihood that real change and progress can occur. I realize now I should probably have asked this before I bought the book, but I got excited. The time now is All times are GMT. A real awakening occurred a few daviv after studying with Joe when I realized how the tone of the great artists all had in common certain characteristics: It is my contention that drveloping a mature and serious student, understanding the reasoning behind a concept goes further than mere imitation and repetition for improving skills.
There is one main artistic premise underlying this book. It is apparent that tone on an instrument is the first level of communication perceived by the listener, preceding deceloping and musical elements such as rhythm, melody and harmony.
He would say in perfect French of course: The whole book is great, I think you’ll really get a lot out develoing it. As with all books, its better to work with a teacher, who, as Joe did, can talior the exercises to fit your specific weakness.